Itsy Bitsy Spider
James Patrick Kelly
When I found out that my father was still alive after all these years and living at Strawberry Fields, I thought he'd gotten just what he deserved. Retroburbs are where the old, scared people go to hide. I'd always pictured the people in them as deranged losers. Visiting some fantasy world like the disneys or Carlucci's Carthage is one thing, moving to one is another. Sure, 2038 is messy, but it's a hell of a lot better than nineteen-sixty-whatever.
Now that I'd arrived at 144 Bluejay Way, I realized that the place was worse than I had imagined. Strawberry Fields was pretending to be some long-lost suburb of the late twentieth century, except that it had the sterile monotony of cheap VR. It was clean, all right, and neat, but it was everywhere the same. And the scale was wrong. The lots were squeezed together and all the houses had shrunk—like the dreams of their owners. They were about the size of a one-car garage, modular units tarted up at the factory to look like ranches, with old double-hung storm windows and hardened siding of harvest gold, barn red, forest green. Of course, there were no real garages; faux Mustangs and VW buses cruised the quiet streets. Their carbrains were listening for a summons from Barbara Chesley next door at 142, or the Goltzes across the street, who might be headed to Penny Lanes to bowl a few frames, or the hospital to die.
There was a beach chair with blue nylon webbing on the front stoop of 144 Bluejay Way. A brick walk led to it, dividing two patches of carpet moss, green as a dream. There were names and addresses printed in huge lightstick letters on all the doors in the neighborhood; no doubt many Strawberry Fielders were easily confused. The owner of this one was Peter Fancy. He had been born Peter Fanelli, but had legally taken his stage name not long after his first success as Prince Hal in Henry IV Part 1. I was a Fancy too; the name was one of the few things of my father's I had kept.
. . .
